Wednesday, May 6, 2020
The Oddly Dreamlike Quality of A Midsummer Nightââ¬â¢s Dream
  We started A Midsummer Nightââ¬â¢s Dream with only a text. There was no one to interpret the words, no body movement or voice     inflection to indicate meaning or intention. All meaning that a reader     understands comes from the words alone. The simplicity of text provides     a broad ground for imagination, in that every reader can come away from     the text with a different conception of what went on. The words are     merely the puzzle pieces individuals put together to bring coherence and     logic to the play.      Although we all read generally the same words, we     can see that vastly different plays arise depending on who interprets     them. By interpreting the word-clues that Shakespeare wrote into the     script toâ⬠¦show more contentâ⬠¦Perhaps something we expected to see on stage     was omitted; perhaps! something unusual was added. We might even sample     the same play dozens of times, all performed by different companies; it     is common, it is even expected, that none of the twelve interpretations     will be much the same. Unlike with reading, with viewing we are not     allowed to sample the play in whatever manner we want. As the audience,     our experiences are directed. We must resign ourselves to be the     two-hour subject of anothers whims and methods.      This kind of challenge     is usually very enlightening, bringing new thoughts and perspectives     where we would otherwise have only our own. These new thoughts and     perspectives often materialize in the form of visual and auditory     details, mostly because the script stays generally the same. Viewing an     actual performance adds depth and detail to what was before only words.      We are given scenery, costumes, voices, faces, body movements, and other     forms of physical (rather than verbal) expression that contribute to a     particular feel. These types of details are in reality just instances of     the direct!ors influence, interpretations and preferences that cause us     to challenge our initial ideas, and accept us a possibly richer taste of     the play.      Because I was involved in two scenes of A Midsummer Nights Dream,    
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